The dancing form of Lord Shiva, Nataraja, unites in a single image his functions as the universe’s creator, preserver, and destroyer.
Around the sixth century, this representation of Lord Shiva first appeared in Indian stone temple sculpture; nevertheless, it wasn’t until the tenth century that the now-familiar bronze sculptural representation became commonplace.
The Tandava, or cosmic dance of Shiva, is a representation of the five expressions of everlasting power—creation, destruction, preservation, salvation, and phantasm—in a visual form.
According to Fritzof Capra, a physicist, “Each subatomic particle not only performs an energy dance, but is an energy dance; a throbbing strategy of creation and destruction…without end…
Shiva’s dance is the dance of subatomic matter, according to the current school of thought in physics.
It’s a never-ending dance of creation and destruction involving the entire cosmos, much like in Hindu mythology; it represents the concept of all existence and all pure phenomena.
Furthermore, he says that “Trendy physics photos matter, not as passive and lifeless, but as continually moving and vibrating. That description of the world closely resembles that of the Japanese mystics.
Each emphasises the necessity for a dynamic understanding of the universe. Its structures are typically not rigid, static ones, but they must be observed when it comes to dynamic equilibrium.
The book’s “interconnection” of all items in the universe, whether they be animate or inanimate, with one another is probably its most amazing aspect.
The Japanese mystics view the cosmos as an interconnected web that is constantly changing and never stagnant, according to Capra. The cosmos’s internet is dynamic; it constantly strikes, expands, and modifies.
Similar to Japanese mysticism, contemporary physics has begun to see the cosmos as an interconnected web of relationships that is inherently dynamic.
At CERN, the European Center for Analysis in Particle Physics in Geneva, a 2-meter statue of the dancing Shiva was unveiled in 2004.
A specific inscription placed next to the statue of Shiva uses a quotation from Fritjof Capra to describe the significance of the metaphor of Shiva’s cosmic dance.
“Many years ago, Indian painters produced visible images of dancing Shivas in a stunning array of bronzes. Physics researchers have employed the most advanced technology available today to depict the patterns of the cosmic dance.
Thus, the metaphor of the cosmic dance integrates modern physics and non-secular art.
Hinduism and the Vedic books are thought to contain knowledge of the cosmos that a modern scientist has yet to discover.
Even science now acknowledges that the Indian subcontinent’s seers have witnessed higher truths, as well as subtleties and the science of higher dimensions.
This film provides an understanding of the wonderful relationship between Traditional Indian Art and Knowledge and Modern Physics.
Tandava is a vigorous form of dance which is performed by Lord Shiva. This form of dance represents the cycle of creation, preservation and destruction. It is a dance of passion, anger and powerful energy. Some Hindu texts demote to Lord Shiva’s dances jointly as ‘tandava’ and call this dance the rudra (terrible) tandava, performed when Lord Shiva is angry. It is performed by Lord Shiva and is composed of 108 ‘karanas’ and 32 ‘anghaharas’ according to Bharat Muni’s ‘Natya Shastra’.